‘Failure To Launch’ Launches To Top of Box Office

All last week, the jokes were flying endlessly about the title of Paramount Pictures’ new romantic comedy Failure to Launch, starring Matthew McConaughey and Sarah Jessica Parker.

Many critics and analysts claimed that the title may as well be a self-fulfilling prophecy for the film’s success. Whomever came up with that title is indeed getting the last laugh today, as the movie took an easy victory at the box office, claiming the #1 spot from Madea’s Family Reunion with an estimated opening gross of $24.6 million, an impressive per-theatre average of over $8 thousand in upwards of 3,000 theatres.

Proving that there was an audience eagerly awaiting a strong romantic comedy, the movie make almost a million more its opening weekend than McConaughey’s previous rom-com hit How to Lose a Guy in 10 Days made three years ago. That movie went onto make over $100 million.

The original comedy was joined this weekend by two very different remakes fighting it out for second place. According to estimates, Disney’s The Shaggy Dog, starring Tim Allen as a man who changes into a dog, eeked out the victory with an opening weekend take of roughly $16 million in over 3,500 theatres.

The Wes Craven produced remake of his own 1977 horror film, The Hills Have Eyes, this time directed by Alexandre Aja, was off to a good start on Friday, but dropped back over the weekend to a respectable opening of $15.5 million in 900 fewer theatres than The Shaggy Dog.

Dropping down to fourth place, the Warner Bros. thriller 16 Blocks, starring Bruce Willis and Mos Def, had the smallest second weekend decline of the movies opening last week, and it stayed perched above the other returning movies with $7.3 million, bringing its gross to $22.7 million.

Having passed the total gross of Tyler Perry’s previous film over the weekend, Madea’s Family Reunion took another 54% drop and ended up at #5 with $5.8 million and a cumulative gross of $55.7 million.

Disney’s other dog movie, Eight Below, lost some of its family business to The Shaggy Dog, but still earned another $5.4 million over the weekend. So far, it has grossed $66.4 million in four weeks, and is currently the third highest grossing film to open in 2006.

Last week’s other new films took sharp drops with 20th Century Fox’s teen comedy Aquamarine pulling slightly ahead of Kurt Wimmer sci-fi-action film Ultraviolet, starring Milla Jovovich, in their second weeks. The former made $3.65 million in its second weekend, while the latter took in $3.6 million, putting it neck and neck with Sony’s hit comedy remake The Pink Panther for eighth place. Starring Steve Martin as Inspector Clouseau, the latter has grossed more money than any other movie opening in 2006 after just five weeks.

20th Century Fox’s romantic comedy spoof Date Movie held onto the Top 10 with $2.5 million, bringing its box office gross to $44.2 million. Having doubled its production budget, one can probably expect the inevitable Date Movie 2 to spoof Failure to Launch.

After a brief Oscar run in 2005, the long delayed period drama The Libertine, starring Johnny Depp, finally received a national roll-out into just 815 theatres where it made an unimpressive $2.2 million.

Surprisingly, the sharpest decline from last weekend was suffered by the concert film, Dave Chappelle’s Block Party, which took a 68% drop in its second weekend, despite strong reviews before opening. Apparently, Chappelle’s many fans were expecting something different from his comeback. It made less than $2 million this weekend, to bring its total to $9.6 million, but it dropped down to the bottom of the Top 12.

After losing the Best Picture Oscar to Crash last Sunday, Ang Lee’s Brokeback Mountain took a 49% tumble after losing 395 theatres. Still, it has grossed over $81 million, significantly more than the controversial Oscar victor.

Opening in limited release, the erotic drama Ask the Dust, starring Colin Farrell and Salma Hayek, made roughly $72 thousand in 7 theatres, while the Alfonso Cuaron sheperded Mexican comedy Duck Season made roughly a third that amount in 6 theatres.

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“Madea” Tops The Box Office With 30 Million

Playwright Tyler Perry, who turned his crazy-granny “Madea” character into a lucrative cottage industry, returned to the top of the box office on Sunday, exactly one year after stunning the industry with a No. 1 bow for his first film.

Tyler Perry’s Madea’s Family Reunion,” which Perry wrote, directed and starred in, sold an estimated $30.3 million worth of tickets in its first three days since opening on Friday, distributor Lionsgate said.

The comedy-drama revolves around a pistol-toting matriarch, played by Perry, who beats and lectures her chaotic clan into submission. It was not screened in advance for critics, a tactic usually employed when a studio knows a movie will get harsh reviews but fans will turn out anyway.

While Perry, 35, is one of the best-known black playwrights in the United States, with sold-out shows in virtually every city for his “Madea” plays, he was barely a blip on the radar of mainstream movie audiences until last February when “Diary of a Mad Black Woman” opened at No. 1. The revenge comedy, budgeted at $5.5 million, ended its theatrical run with $50 million and was huge seller on home video. It was also released by Lionsgate, a unit of Lions Gate Entertainment Corp.

Last week’s champion, Walt Disney Co.’s fact-based survival saga “Eight Below,” slipped to No. 2 with $15.7 million, taking its 10-day total to $45.1 million.

NEW DUDS

Two other films opened in theaters, not that many people noticed. The canine cartoon “Doogal” played dead at No. 8 with $3.6 million, while the mob drama “Running Scared” was whacked at No. 9 with $3.1 million.

Doogal” was released by the Weinstein Co., the privately held firm established by former Miramax Films co-chairmen Bob and Harvey Weinstein. “Running Scared” was released by New Line Cinema, a unit of Time Warner Inc.

Rounding out the top-five, Steve Martin’s comedy remake “The Pink Panther,” another former champ, was steady at No. 3 with $11.3 million in its third weekend. The film has earned $61 million to date.

The teen comedy “Date Movie” fell two places to No. 4 with $9.2 million, for a 10-day haul of $33.9 million. The computer-animated children’s book adaptation “Curious George” dipped one spot to No. 5 with $7 million and a three-week tally of $43.1 million.

The Pink Panther” was released by Columbia Pictures, a unit of Sony Corp. while “Date Movie” was released by Twentieth Century Fox, a unit of News Corp. “Curious George” was released by Universal Pictures, a unit of NBC Universal, which is controlled by General Electric Co.

In a sign that Oscar buzz has largely been a bust for movie theater owners, three of the five best picture nominees earned a combined $3.4 million during the weekend, with leading contender “Brokeback Mountain” accounting for $2.3 million of that. To date, the gay-cowboy film has earned $75.4 million.

George Clooney’s newsroom drama “Good Night, and Good Luck” earned $600,000, while Steven Spielberg’s revenge thriller “Munich” pulled in $488,000. Their respective totals stand at $30.3 million and $46.1 million.

Of the two other nominees, the ensemble drama “Crash” is already out on home video, while official estimates for the Truman Capote saga “Capote” were not available. However, a rival studio estimated it made about $1 million, taking its total to about $23 million.

The Academy Awards will be handed out in Hollywood next Sunday.

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Eight Below Tops Box Office With 20 Million

Posted under Alyson Hannigan, Box Office, Celebrities, Date Movie, Eight Below, Movies, Paul Walker by Chris Evans on Sunday 19 February 2006 at 6:35 pm

Paul Walker

In its debut week, ‘Eight Below’ grossed an estimated $20 million and topped the U.S. box office, said boxofficemojo.com, Sunday.

‘Date Movie’ grossed $19 million its premier week.

‘The Pink Panther’ made $16.5 million last week for a total box office of $42 million, while ‘Curious George’ made $11.3 million for a total box office of $29 million, ‘Final Destination’ made $10 million for a total box of $36 million and ‘Firewall’ made $9 million for a total box office of $27 million.

‘Freedomland’ grossed $6 million its debut week.

‘When a Stranger Calls’ made $5 million for a total box office of $41 million, ‘Big Momma`s House 2′ made $4.4 million for a total box office of $61 million and ‘Nanny McPhee’ made $3.7 million for a total box office of $38 million.

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Movie Review: “Date Movie”

Posted under Alyson Hannigan, Celebrities, Date Movie, Movie Reviews, Movies, Television by Chris Evans on Saturday 18 February 2006 at 12:29 am

I hate to steal something from someone else’s review, but I can’t sum up the problem with this movie any better than Eric D. Snider of ErikDSnider.com: “This would-be spoof of romantic comedies falls prey to the misconception — common in modern American humor — that to make reference to something is the same thing as parodying it.”

Because that is precisely what Date Movie does. It simply references movies without actually parodying them.

The sad thing is, the funniest scene in the movie, is the opening sequence where Alyson Hannigan, sporting the obligatory fat suit as they “parody” Jack Black’s Shallow Hal, dances around in the streets to Kelis’ sexy tune “Milkshake.” Which incidentally is also the trailer. Everything goes downhill from there.

The general gist of the film is Alyson Hannigan, a Greek, Indian, Japanese, Black Jew is having trouble finding her “Prince Charming”, quite obviously because she is not the most beautiful of women. Her father (played by Eddie Griffin) wants her to marry someone who is of her same descent, and somehow manages to have someone in mind: a greasy disgusting employee of their restaurant named Nicky who’s so dirty he’s got a rat in his ass crack. But Julia (Alyson’s character) refuses. She insists she has to wait for true love–her prince charming. And she finds him–kind of.

She meets a guy who’s eating in the restaurant and she feels like they have a connection, but as soon as she turns her back he disappears–she assumes because of the way she looks but it’s really because she hit him in the head with a coffeepot and he fell to the ground. You’re laughing, right? Yeah, I didn’t either.

So she goes to Hitch, (subtle, right?) a matchmaker played by little person Tony Cox (Bad Santa) who takes her to get “pimped out” (”parodying” MTV’s Pimp My Ride). They wax her back hair, saw down her toe nails, and suck out her fat. Julia is now a beautiful girl. Eventually she finds Grant (played by newcomer Adam Campbell), they fall in love, have sex, get engaged, and antics ensue.

One of the biggest problems with Date Movie even before anyone wrote a single word of it onto a page, is simply the concept itself. The Scary Movie movies (which I love, by the way) work because they’re making fun of movies that were meant to be taken seriously. It doesn’t quite work when you’re trying to make something funny that was already funny in the first place. There’s no need to make a joke out of a romantic comedy–it does the jokes for you–IN the film.

With that said, there was still a possibility for a half way decent film here. The obstacle being: the jokes just went too far. In almost every scene in the movie, they’d make a joke–I’d laugh, and them expect them to move on. But they didn’t. They’d just keep going with the same joke for another 2 minutes, going way overboard to the point of ridiculousness, and I’d sit there getting annoyed and feeling patronized, which would immediately make me forget that a second ago I was actually laughing. Just make the jokes a bit more subtle (we get them, trust us), and you’d be fine.

Case in point: In one scene where they try to make fun of the Jennifer Lopez romantic comedy The Wedding Planner, Julia and Grant go see a wedding planner whimsically named Jello who has a ghetto Spanish accent and has a ridiculously large ass. We all immediately get the joke. It’s supposed to be Jennifer Lopez…and Jennifer Lopez has a big ass. It’s funny. Okay, move on with the scene. Jello then describes to them what she has planned for their wedding and says “I have a performer in mind too”. She knocks the desk over with her oversized butt, the desk breaks, she strips off her suit to reveal a skimpy gold outfit, and then starts shaking her ass in Julia and Grant’s faces, slowly moving it closer and closer to them while they scream in horror. The scene ends.

Yeah…I’m not laughing either.

The film makes fun of dozens of movies, When Harry Met Sally, The Wedding Planner, Meet The Parents, Meet The Fockers, My Big Fat Greek Wedding, Hitch, My Best Friend’s Wedding, and many others. And again, unlike the Scary Movie films, they failed to weave the different films together into one script successfully. Everything seems choppy and shabbily put together. It’s almost embarassing.

Basically, Date Movie is in no way worth the 10.75 (at least that’s what it is here in Manhattan). It attempts to make fun of many popular romantic comedies of the past two decades, but unfortunately for the filmmakers, I much prefer the originals.

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